As a performer, Banacos had played with a star-studded array of artists, however, he retired from performing more than 30 years ago, Netsky said.
A member of the NEC faculty since 1988, Banacos became a legendary teacher whose students included such musicians as Mike Stern, Danilo Perez, Regina Carter, Sofia Koutsovitis, Wayne Krantz, Jeff Berlin, Garry Dial, Gerard D’Angelo, Vic Juris, Daryl Rhodes, Stephen Page, Michael Brecker, Jerry Bergonzi, Marilyn Crispell, John Novello, Bruce Arnold, Leni Stern, Rachel Z, Jeff Golub, and Frank Singer.
Not only was he eloquent in the studio, he was also an astonishingly effective multimedia educator whose lessons in improvisation, theory, and ear-training were disseminated on audio and video recordings and in numerous pedagogical books. He created over 100 courses of study for improvisation and composition, many of which were adopted by other music schools. Besides teaching at NEC, he had taught at the Longy School of Music and Berklee College of Music. He also served as a clinician for the Thelonious Monk Institute.
His students—some of whom never met him face to face—remember Banacos as rigorous and insistent on excellence even as they recalled his warmth, humor, enthusiasm, and focus on their individual needs. So for example, University of Connecticut pianist and jazz professor Earl MacDonald recently blogged about his experiences studying with Charlie:
“Two years ago, I took correspondence lessons with Charlie, for a full year, via cassette tape. Our relationship was unique in that I never met Charlie face to face. Perhaps because of this, we could be very honest and frank with one another in our taped dialogues. His candidness was valued and refreshing in both his assessments of my improvisations and in his responses to my stated opinions, questions and challenges. His initial summary of my playing changed my thinking forever. He said, ‘You already sound great, BUT when I hear you play it sounds like something that happened 40 years ago.’ Wow! …talk about a wake up call! He nailed it. As someone who had spent the past two decades checking out the recorded traditions of bebop and hard bop piano playing, I needed someone to tell me the truth: that it was time to move on, and open my mind and improvisational approach to new possibilities.”
Even in his last stay at the hospital, Banacos was “teaching” his students not only about music but life. He wrote a note about exercising the ear even in intensive care:
“Another great way to practice when you can’t move around too much is figure out the chord or chords that you hear in the hospital and use that to practice different sonorities. I’ll give you an example of what’s happening right now: most of the electronic sounds of this hospital at this moment are B’s, D#’s, F#’s and A-naturals. Now there are other sounds, but those are the pre-dominant sounds coming from the electronic equipment (and people yelling ‘Code Red!!!’ Just kidding...). So, you could say right at this moment I’m swimming around in a pool of B-dominant7. If you use that as a basis, the next time you hear somebody yell ‘code’ you can practice and name its function against the B7 chord as quickly as possible and it makes a type of symphony.”
For further information, check the NEC Website. NEC’s Jordan Hall, Brown Hall, Williams Hall and the Keller Room are located at 30 Gainsborough St., corner of Huntington Ave. St. Botolph Hall is located at 241 St. Botolph St. between Gainsborough and Mass Ave.
About New England Conservatory
Recognized nationally and internationally as a leader among music schools, New England Conservatory offers rigorous training in an intimate, nurturing community to 720 undergraduate, graduate, and doctoral music students from around the world. Its faculty of 225 boasts internationally esteemed artist-teachers and scholars. Its alumni go on to fill orchestra chairs, concert hall stages, jazz clubs, recording studios, and arts management positions worldwide. Nearly half of the Boston Symphony Orchestra is composed of NEC trained musicians and faculty.
The oldest independent school of music in the United States, NEC was founded in 1867 by Eben Tourjee. Its curriculum is remarkable for its wide range of styles and traditions. On the college level, it features training in classical, jazz, Contemporary Improvisation, world and early music. Through its Preparatory School, School of Continuing Education, and Community Collaboration Programs, it provides training and performance opportunities for children, pre-college students, adults, and seniors. Through its outreach projects, it allows young musicians to engage with non-traditional audiences in schools, hospitals, and nursing homes—thereby bringing pleasure to new listeners and enlarging the universe for classical music and jazz.
NEC presents more than 600 free concerts each year, many of them in Jordan Hall, its world- renowned, 106-year old, beautifully restored concert hall. These programs range from solo recitals to chamber music to orchestral programs to jazz and opera scenes. Every year, NEC’s opera studies department also presents two fully staged opera productions at the Cutler Majestic Theatre in Boston.
NEC is co-founder and educational partner of From the Top, a weekly radio program that celebrates outstanding young classical musicians from the entire country. With its broadcast home in Jordan Hall, the show is now carried by National Public Radio and is heard on 250 stations throughout the United States.