Hamilton picked up the tenor sax at the age of 17 in his hometown of Providence, Rhode Island. Ellington, Basie and other greats would pass by on their tours, and these experiences became the foundation of Hamilton’s career. Gradually the young musician began visiting New York to play a small concert here and there or just to listen. After performing at a private gathering one time, Hamilton dropped by Jimmy Ryan’s club to hear trumpeter Roy Eldridge. That event turned out to be pivotal for him, and one of the happiest days in his life. Eldridge - always ready to jam - invited the young and hopeful saxplayer on stage. From that moment on, Hamilton’s reputation grew. The seasoned jazz people (on stage and in the audience) were thrilled, and soon he was recording and touring. His laid-back, but virile swing made him a favorite with audiences, who were overjoyed to finally have found a musician who acknowledged the influence of the great swing masters.
Listening to his early releases (app. one every year plus various gigs as a sideman – most for the Concord label), one would not call the Scott Hamilton of the late 70’s and early 80’s an original musician. But since then, he has matured. It used to be easy to trace Webster, Flip Philips, Illinois Jacquet, Eddie Lockjaw Davis and Paul Gonsalves in his music, but today Hamilton is himself whether playing ballads, blues or bebop. Unpretentious and straightforward, his ego does not stand in the way of his rare joy in playing and his musical maturity. The music is what counts.
Hamilton has been a regular on the European jazz scene since the mid- 90s. After a few years in London, he settled in Firenze, facilitating jumps to regular stomping grounds in France, Spain and Italy. No one acquainted with the playing of Ulf Wakenius, Jan Lundgren, Jesper Bodilsen or Kristian Leth – each much more than a respected name - will be surprised that they are a perfect match for Hamilton. Wakenius was a member of bass legend Niels-Henning Ørsted Pedersen’s trio for years and a regular member of Oscar Peterson’s late trios and quartets. Jan Lundgren has carved a niche for himself with a string of lovely CDs and is much in demand as a pianist. Jesper Bodilsen is one of the busiest and steadiest of the many fine Danish bassists (check out his releases with pianist Stefano Bollani and drummer Morten Lund). Kristian Leth is the up-and-coming man in this heavy company, but he is the perfect backbone for the Scott Hamilton Scandinavian 5, contributing to the special swing that makes the band such a smooth entity.
Scott Hamilton tours all over the world, and he is very popular in Scandinavia where he plays with this regular band. The concert at Nefertiti in Gothenburg was recorded with a live release in mind, and Hamilton glows in this inspired collaboration with his Swedish/Danish all stars.
Included in the package is a great bonus DVD with most of the fine concert at Nefertiti in great sound and video quality and interviews with the musicians.
At 55, Scott Hamilton has grayed and thinned a little on the top. His music has not. The music on this CD and DVD is among the best he has recorded.
CD: Move / Tenderly / Dear Old Stockholm / Bye Bye Blackbird / In a Sentimental Mood / Blue Capers.
DVD: Tenderly / Move / Bye Bye Blackbird / In a Sentimental Mood / Blue Capers. Bonus: Smile Ulf Wakenius, solo / Interviews with band.
Scott Hamilton (ts), Ulf Wakenius (g), Jan Lundgren (p), Jesper Bodilsen (b), Kristian Leth (d).