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Fred Wesley, Sideman to the Godfather of Soul, Performs With the Berklee Music of James Brown Ensemble

United States
English
At the Berklee Performance Center, Thursday, February 28

Boston, MA, January 31, 2008 — Acclaimed jazz and funk trombonist Fred Wesley, former musical director and band leader for James Brown’s band the J.B.’s, performs in concert with the Berklee Music of James Brown Ensemble, led by Kenwood Dennard, on Thursday, February 28, at the Berklee Performance Center. Wesley and the 10-piece student group promise to funk-it-up and bring-the-house down with high-energy renditions of many classic James Brown tunes, including “Papa’s Got a Brand New Bag,” “I Got You (I Feel Good),” “Cold Sweat,” “Please, Please, Please,” and “Super Bad.” Wesley will rehearse with the students and conduct clinics and master classes during a residency sponsored by Berklee’s Brass Department.

Fred Wesley with the Berklee Music of James Brown Ensemble is $10, all ages, and begins at 8:15 p.m., at the Berklee Performance Center, located at 136 Massachusetts Avenue, Boston, MA. Please call 617-747-2261 or visit the Berklee Performance Center website for more information.

Fred Wesley, a native of Mobile, Alabama, was a pivotal member of James Brown’s band in the 1960s and 1970s, playing on many of Brown’s hit records, including “Say It Loud - I’m Black and I’m Proud,” “Sex Machine,” and “Mother Popcorn,” and co-writing such tunes as “Hot Pants.” As bandleader and musical director, Wesley did much of the composing and arranging for the J.B.’s. After leaving Brown’s band in 1975, Wesley spent several years playing with Parliament, Bootsy Collins, Bootsy’s Rubber Band, and George Clinton.

A versatile artist, Wesley later joined the Count Basie Orchestra and released several jazz albums as a leader. In the 1990s, he toured with former J.B.’s band mates Pee Wee Ellis and Maceo Parker as the JB Horns, and was featured trombonist with the Maceo Parker Band before forming the Fred Wesley Group. Wesley has played with, and arranged for, a variety of artists during his career, including Ray Charles, Lionel Hampton, Earth Wind and Fire, Curtis Mayfield, Barry White, The Gap Band, Cameo, and De La Soul. In 2002, he published his autobiography Hit Me, Fred: Recollections of a Sideman. Wesley also recently served as an adjunct professor at the University of North Carolina at Greensboro School of Music.

The concert is co-sponsored by Berklee’s Africana Studies/Black Music Programming performance and lecture series.
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